PhDWorkshopReadingList

Moore, Alan W. (2011) //Art Gangs: Protest and Counterculture in New York City//. Brooklyn: Autonomedia. Introduction, Chapter 1, and Aftermath.
 * Artist Collectives PhD Workshop Reading List **

Art Workers Coalition (1992 [1969]) “Statement of Demands,” //Art in Theory 1900 – 2000: An Anthology of Changing Ideas.// Ed.Charles Harrison & Paul J. Wood. London: Blackwell.

Stimson, Blake and Greg Sholette, Eds. (2007) “Periodizing Collectivism,” //Collectivism After Modernism: The Art of Social Imagination After 1945//. Minneapolis: University of Minnesota Press. Nollert, Angelika (2005) “Life is Art,” in //Kollektive Kreativität/Collective Creativity.// Ed. René Block and Angelika Nollert. Kassel: Kunsthalle Fridericianum. Detterer, Gabriele (2012) “The Spirit and Culture of Artist Run Spaces,” in //Artist-Run Spaces//. Ed. Gabriele Detterer and Maurizio Nannucci.Zurich: JRP/Ringier. De Baere, Bart (2012) “Approaching Art through Ensembles,” in //L’Internationale: Post-War Avant-Gardes Between 1957 and 1986//. Ed Christian Höller et al. Zurich: JRP/Ringier.

Lippard, Lucy (1995) “Escape Attempts,” in //Reconsidering the Object of Art: 1965-1975//. Ed. Ann [|Royal1688] Goldstein and Anne Rorimer. Cambridge: MIT Press.

Roberts, John (2013) “The Political Economization of Art,” //It’s the Political Economy, Stupid//. Ed. Gregory Sholette and Oliver Ressler: 62-71.

Perkins, Stephen (1993) “Striking Out at Art & Institutions – 1960-1980” Mirzoeff, Nicholas (2004) “Anarchy in the ruins: dreaming in the experimental university,” in //The Interventionists.// Ed. Nato Thompson and Greg Sholette. Cambridge: MIT Press. Guillet de Monthoux, Pierre (2004) “Flux Firms,” //The Art Firm: Aesthetic Management and Metaphysical Marketing//. Stanford: Stanford University Press. Critical Art Ensemble (1988) “Observations on Collective Cultural Action,” //Art Journal// Vol. 57 No. 2: 72-85. Becker, Howard (1974) “Art as Collective Action,” //American Sociological Review// Vol. 39 No. 6.

Blom, Ina (2005) “‘Until the Principles of Form are Applied to Democracy ...’ Avant-garde Art and [|Royal1688] Populist Imagination,” in //The Populism Reader//. Ed. Ricupero et. Al. New York: Sternberg Press.

Anti-History Basekamp (2013) //Plausible Artworlds// Alexander Trocchi – “Invisible Insurection of a Million Minds” Ultra-red / Art, Collectivity, and Pedagogy: Changing the World in which we Live
 * Additional Resources: **

//** Additional Materials **// Alexander Alberro and Blake Stimson, eds., //Conceptual Art: A Critical Anthology.// (MIT Press, 1999)